Search results for " Damien Hirst"
showing 4 items of 4 documents
Diverging Collectives: Artist-Run Spaces versus Warehouse Shows Comparative models of art production and cooperation among young British artists
2017
The paper addresses the case of artist-run spaces and warehouse shows in the United Kingdom between the 1980s and 1990s, a time when autonomous group shows and independent artist collectives sprawled particularly thanks to the engagement of a new generation of artists, among whom were found later celebrities such as Damien Hirst and Douglas Gordon. It will be argued that both artist-run spaces and warehouse shows were feasible solutions for young authors against art market barriers and economic crisis, although they held structural and organisational differences that would affect aesthetic outcomes and present art history with a shift in the model of the art collective.
The Road to Parnassus. Artist Strategies in Contemporary Art. Rise and Success of Glasgow artist Douglas Gordon and of the wider YBA generation
2015
How can one become a successful artist? Where should one start a career in the art world? What are useful strategies to achieve recognition in the art system? Such questions hoard in students' minds ever since entering art school and they probably chase every kind of art professional who is at an early career stage. “The Road to Parnassus” tries to understand what makes a good start in today's art world, who are influential players in the field and which strategies might apply. The swift career ascension of Glasgow artist Douglas Gordon – one of today's leading visual artists – and of the broader YBA generation that rose into worldwide prominence in the 1990s – Damien Hirst and Sarah Lucas …
A metabolism of Adam and Eve: Damien Hirst meets Edvard Munch
2016
Sari Kuuva, University of Jyvaskyla Sari Kuuva, PhD (in cognitive science, 2007 and art history, 2010) is a post-doctoral researcher who works at the Department of Art and Cultural Studies at the University of Jyvaskyla. She has studied the relationship between art, aesthetics and psychology, particularly the concept of the symbol and the problematics of experiencing and creating visual art. Among Kuuva’s main publications relating to the art of Edvard Munch are: Symbol, Munch and Creativity: Metabolism of Visual Symbols (University of Jyvaskyla 2010); ‘Emotional creativity in art: case scream’ in Mind and Matter: Selected Papers of Nordic 2009 Conference for Art Historians (Helsinki, Socie…
BORDERS AND BORDER CROSSING BETWEEN ART WORLDS. Successful attempts and epic failures to enter new domains in recent British art
2016
The paper attempts to answer, whether it is possible for successful artists in one specific sector to access the domain of another artistic field at their free will. In doing so, this contribution analyses the possible existence of borders and gatekeepers between different art worlds. The aim is not just finding or defining boundaries between art fields, but rather understanding, if boundaries can be pierced through, as well as the conditions that might hinder acceptance. Moving from an art theoretical and philosophical perspective, the present paper will discuss the thesis of Pierre Bourdieu, Howard Becker, Berys Gaut and Joseph Margolis on boundary conditions in the arts. Subsequently the…